The script is what makes sense of the sounds. It is the framework for your story.
And while a reader may get up and come back to an article, a radio listener who gets up may not come back. So you want to grab their attention and hold onto it for as long as possible.
Writing feature stories like the ones aired on B-Side is also different than writing news copy.
You can loosen up a little. You can be more literary, more creative, more personal. This handout is a quick guide to writing a script for a feature radio story. Highlight or mark tracks you know you want to come back to. If you have a great long cut, you can break it up with your narration or edit it down.
Think about how your cuts will fit into your story structure- do they describe something, tell a story, make you laugh, make you scratch your head?
Your actualities should advance the story and make it interesting. You may have talked about the story with a friend or editor. Basically, you already have all the elements floating around in your head. Then start writing your narration around them. An anchor intro quickly sets up your story and puts it in context, without giving away too much.
Telling a Story As you write your narration, try to tell a story with a beginning, middle, and end. Draw listeners into the story by setting a scene, raising a question, playing a weird noise, or introducing a character.
Use narrative elements like foreshadowing, suspense, and scene changes to move the story along. Mix Things Up Use tracks of varying length. A series of second acts interspersed with second tracks will get pretty monotonous.
A few aesthetic considerations to keep in mind as you write your script: This is not the same as trying to imitate spontaneous speech. Instead, this means writing in a style that sounds as relaxed as possible. Use phrases and words you normally use. When you read your narration aloud, do you sound like yourself?
Give your listeners a chance to imagine the people, places and things in your story. Create a sense of scene; describe people; include interesting sounds. Mix up your sentence structure. Use the active voice. Use punchy verbs and contractions. Most radio stories are done in present tense.Feature Story: Definition, Format & Examples it is obviously going to have a much different tone than if you were writing a feature story on the Charles Manson murders.
The Tampa Bay Association of Black Journalists (TBABJ) is preparing for its annual journalism awards contest and scholarship event – the Griot Drum Awards & Scholarship Banquet.
New Mexico, 44 other states, and the District of Columbia have adopted the Common Core State Standards (CCSS). The CCSS are a set of high quality-standards in mathematics and . A feature story is a piece of non-fiction writing about news.A feature story is a type of soft news.
The main sub-types are the news feature and the human-interest story.. A feature story is distinguished from other types of non-fiction by the quality of the writing. News style, journalistic style, or news-writing style is the prose style used for news reporting in media such as newspapers, radio and television..
News style encompasses not only vocabulary and sentence structure, but also the way in which stories present the information in terms of relative importance, tone, and intended audience. The tense used for news style articles is past tense.
We're not in the tablets-of-stone business: let us know what story you want covered, and we'll deliver it on-time and on-budget. FSN SHOWCASE - EXAMPLES OF OUR RECENT WORK FSN's Simon Marks reported the outcome of the final Presidential debate between Donald Trump and Hillary Clinton for "Checkpoint" on Radio New Zealand via FSN LIVE.